5 Favorite Songs About The End Of The World

With the end of the world coming up this Friday, I thought it would be nice to reflect on my five favorite songs that get me in the mood for total oblivion.

5.  1999 by Prince (This song brings back great memories of the last time everyone thought the world would end)

 4.  When The World Ends by Dave Matthews Band (For those looking for love on Friday, I suggest using a few lines from this song)
 
3.  I Will Survive by Gloria Gaynor ( Even though this song was before my time,  I still like to get my groove on to it)

2.  The End by The Doors (This one is truly apocalyptic.  This is what I will be rocking as I fight against the zombie invasion)

1.  It's The End of the World as We Know It (And I feel fine) by R.E.M. (I can't remember a time in my life when I didn't love this song)

Shameless Music Plug

The group Chairlift 
has an incredible new album out and one of the most amazing music videos as well.  It is a choose your own adventure video and all you need to do is use the arrow keys to decide what will happen next.  I have watched it three times so far with a completely different story each time.  It is very cool. Here is the link:  Chairlift "Met Before"

If you haven't seen this yet, it is worth checking out.  I am awe-struck by the layout of this "trail".  Even though I would never be able to ride even a small portion of this course, I would love to go to this city and watch people ride this in person.  Enjoy!

Muchas Gracias

Thanks to all of you who have decided to follow my blog.  As a gift, I give you some of my favorite Emoticons courtesy of Demetri Martin: 

   / ˜(,˙˙,)˜ \        Walrus

    '[º(x)º]'          Dog

 ///ºvº\\\            John Lennon

 '\º\../º/'             Lioness 

 @(-•(._.)•-)@   Ram 

 <(~..~)>           Yoda

"One minute was enough, Tyler said, a person had to work hard for it, but a minute of perfection was worth the effort. A moment was the most you could ever expect from perfection."

As a result of my uncontrollable need to do everything Ira Glass tells me, I have started reading Among The Thugs by Bill Buford.  So far, Ira Glass has not disappointed me.

Among The Thugs is a look into the world of soccer hooligans.  Bill Buford is an American journalist who stumbles into this culture of riots, rebellion, and rabble-rousing of certain types of British football (soccer for you Americans) fans.  I am blown away by the writing style of this book.  Not only does it possess great storytelling qualities in every crazy soccer match he reports on, it also delivers this very compelling argument for humanities need for violence.  It is in these moments that his writing is at its strongest.  Because of this, anyone would enjoy this book.  You really don't need a background knowledge of soccer (or sports in general) to appreciate this message.

The timing of this book is key.  This book was released shortly after some of the most tragic incidents in sporting history, all of which involved soccer fans.  The most notorious of these incidents was The FA Cup Semifinals between Liverpool and Nottingham Forest.  The match was held in Hillsborough stadium in England, and within six minutes the matched was brought to a halt.  As the dust settled on this day, there would be 96 people left dead.  I recently watched a game held in Hillsborough Studium where Chelsea fans began singing to the Liverpools fans, "You're murders, you're murders" during a moment of silence held for the 96 people who had died in 1989, which goes to show that nothing has really changed when it comes to soccer fan behavior since the release of this book.

Ultimately, Bill Buford is making an argument for how crowd violence so easily escalates, and he pin points moments that trigger changes in crowd behavior.  In one case, he shares his experience in Italy watching a World Cup match between England and the Netherlands.  Prior to the match, there is a huge buzz about the city because everyone can sense that something is going to happen.  Both teams are notorious for having extremist fans.  The author had been informed that there would be a march to the stadium at 6:00 p.m., so he decides to join in on the march.  I love the way he describes the events that unfold in this chapter.  When the city bells ring to signify that it is 6:00, everyone looks around waiting to see who will initiate the action.  Listen to how Bill Buford describes this, "And then somebody - someone I didn't recognize and who didn't seem to be know by the others - stepped out into the main street.  He stepped out conspicuously, in a manner that said: the march will now commence."  He goes on to explain that all it takes is one person to be brave enough to commit and others will shortly follow.  This reminded me of dances we would have back when I was in junior high school.  Everyone was gathered on the sides of the dance floor, waiting for someone with enough courage to walk out with a member of the opposite sex and start dancing.  Once that occurred, it seemed to give everyone permission to let their guard down and have some fun.  This is an innocent example, but it illustrates the point.  We behave differently when a crowd permits us to do so.

The style of this book reenforces the message very well.  The book, at times, can be very crude and in your face.  The author uses this to show how he gets caught up in the emotion of the moments.  He becomes overcome by the crowd and it gives him the freedom to be vulgar and profane.  He balances this tone out with many specific examples.  This blend of logic helps to establish his credibility, and the fact that he was in attendance of most of these events solidifies his ethos. The intensity of the moments make this book a quick read.  Even though I have never been in a sporting situation like the ones described in the book, the writer makes it very relatable to all types of readers.  I hope you give this book a chance;  I think you will appreciate what it has to say.  

I give this book 4 1/2  out of 5 self--inflicted punches to the  face.

“When the fight begins within himself, a man's worth something.”

As writing instructors consider which philosophical approach will work best for them, they must be aware of the types of assessments that will be most effective in producing their desired results.  This is such a key aspect to teaching that is often overlooked.  The standard has always been to create a test or essay prompt to check for student learning.  One of the most beneficial professional developments I have attended was on instructional design, and the focus was on "backward design", the idea of starting by planning your assessments and then figuring out how to instruct in a way that prepared students for those assessments.  It seems so obvious now that this is a better method of planning, but for years I would teach content and try to figure out at the end how to assess for student understanding of that content.   These types of summative evaluations did not produce the quality of writing I was hoping for.  I am improving on this aspect of my teaching, but there is still a dilemma that must be dealt with when it comes to the types of standardized assessments that are gaining momentum in the education system.  Brooke Horvath, in here article titled The Components of Written Response: A Practical Synthesis of Current Views, shows that formative evaluations will create compositions that allow "students to learn from their mistakes, extrapolating advice in shaping better prose in future writing situations."  A standardized test cannot do this.  Students approach these types of assessments with the idea that when it is over, I am longer accountable for this information.  An educators goal should be to foster continual learning, so there needs to be more of a focus placed on formative assessments.

I was discussing assessments and value of grades with some fellow writing instructors when one of them made the observation that we have made great and dramatic changes to the ways in which we present content, but we have not changed the ways we grade in over a hundred years.  This is troubling because the letter grade that is attached to an assignment is probably the most influential feedback students receive, yet what does a "B" really say about the progress and development of a student? There needs to be a paradigm shift in how educators measure growth and development of students.  I will be more specific on this in later posts, but for now let's consider how to incorporate more formative assessments into the writing process.  Brooke Horvath again states, "Texts should be treated as unfinished, each stage an ongoing process; students are encouraged to see revision as a desirable, necessary event that should occur."  Our focus as writing instructors should be to to give as many opportunities to progress through each writing assignment.  This of course starts a debate about grade inflation.  If every student can show progression throughout the writing process, how does a teacher not give favorable marks to each draft?    Our goal should be to produce writing that the students are proud of and has the ability to reflect understanding of the higher order thinking skills that occur through writing.  Grades need to become secondary to this.  First, a teacher needs to establish the standards that they feel are essential to writing, then teach in a way were every student has the ability to meet those standards.  If every student can do this, then every student deserves the highest marks possible.

"I say never be complete, I say stop being perfect, I say, lets evolve, let the chips fall where they may"

As an English teacher, I struggle with how best to instruct the "nuts and bolts" of writing.  I had a difficult time paying attention when my English teacher attempted to show the mechanics of the writing process.  We learned the parts of speech, we diagramed sentences, and we learned that for every grammar rule there were a myriad of exceptions.  None of this was fun for me.  So, why would I want to turn around and teach my students in this current-traditional style of instruction?  I shouldn't.  It doesn't really work for me, but this is what I know. When I feel the pressure to produce students who write effectively, I panic and fall back on what I know, even if it is not the most comfortable and engaging method for my students and me.  This dilemma has placed me on a quest.  A journey to find the magic method of writing instruction.

Over the past month, I have scoured a variety of publications on this matter.  Today I would like to explore The Writing Teacher's Sourcebook edited by Edward Corbett, Nancy Myers, and Gary Tate.  In this book, Richard Fulkerson would refer to the method of instruction that I went through in my early days of eduction  as the "formalist approach."  This type of writing instruction clearly has value.  It places a focus on grammatical structure, and students learn that "good writing is 'correct' writing at the sentence level"(4).  With this philosophy, students will judge the effectiveness of writing by its "semantic intent" without considering the intended audience of the piece, the background of the writer, or the reality the writer wishes to reflect.  The advantage of this lies in what I will call "the formula."  Young writers will learn a prescribed method in which to write.  This makes it easy to self correct.  A writer either followed the "formula," or his/her writing was incorrect.  The problem that I have with this is that it does not hold true in the publishing world.  Some of the greatest pieces of literature do not follow this "formula."  My favorite authors do not follow this "formula."  It is safe to say that most people enjoy the individuality that comes from a writer taking a unique and fresh approach to a given work.  I personally could not live in a world where everyone wrote the same way with the same structure that produced the same tone, yet many student papers are all structured the same exact way.  It can cause a brutal night of essay grading.  I don't want any more of those, so it will require a new tactic.

The "mimetic approach"  seems to be more in my comfort zone.  The most intriguing idea with this method is the notion that good writing is linked with good thinking.  Here Fulkerson states that "the major problem with student writing is that it is not solidly thought out" (5).  With this philosophy, teachers should help students with how to think, or give them enough information about various topics so that they feel that their idea are worth sharing.  Ideally, a writing instructor would do both.  The AP Language and Composition exam has already moved in this direction.  For the past five years, the College Board has been using a synthesis essay topic that provides at least five sources that the students can refer to as they develop their essays.  I have seen this type of essay improve some of the analytical skills that are required on other part of the AP exam.  Students become aware of the break down in logic that occurs in argumentation, they become skilled at recognizing emotional appeals that exist in writing.  For me, this seems like the perfect way to introduce rhetoric.  Teach students the various ways to think, then apply aspects of structure and show how that structure changes the effect and meaning.

This is the core of rhetoric.  The relationship between the writer and his/her audience is a key part of recognizing good writing under the "rhetorical philosophy" that Fulkerson concludes his chapter with.  This is something my AP Language and Composition students really struggle with.  Very few students are exposed to this type of writing in the developmental stages of education.  Their audience is almost always the same person, their teacher.  Extending the variety of audience types is something that I am working on for my students next year.  Writing blogs is an easy way to incorporate this skill.  As I have been "blogging" for the past two weeks, I have become very aware of the variety of people who will read and comment on my writing.  It has pushed my writing.  I am more in tune with the sentence structures, word choice, and tone I use in my posts.  I would hope that this would make the quality better.  

With the many philosophies that exist when it comes to writing instruction, it is important to be mindful of how each one will shape pedagogy.  Teachers need to have their students participating in engaging and meaning exercises that will show them the power that can exist in appropriately sharing their ideas. Instructors need to be aware of their philosophy of writing instruction so that they can develop assessments based on their strengths and the strengths of their students.